While it’s not a universal truism, more often than not, bad morals make for bad art, and the unwillingness to say so produces even worse criticism.
After ‘Stranger Things’ season one captivated ’80s kids like me, it needed to follow up with a satisfying season two. Mostly it accomplished that, but has weak points.
Late night hosts like Jimmy Kimmel are substituting political diatribes for monologues. In totally unrelated news, their viewership is steadily declining.
Under the guise of high-minded principles, supposedly family-friendly studios keep fighting the technologies that give parents control over what their children consume.
Common Sense Media is one example of the progressive rush to save our children from sex. But they are shooting for the wrong goal.
When you’re spending $50, $60, $70 or more on a game, shouldn’t you get a fully finished product? I think so, but the gaming industry disagrees.
‘Game of Thrones’ rarely focuses on aspects of the human condition unrelated to power struggles. It is a prolonged depiction of the singular, relentless pursuit of power.
Last night another Miss USA was crowned on live TV, and it was the worst three hours of my entire life. As a woman who supports all women, I cannot support these women.
Often the movies that are made for children present subtle and sometimes not so subtle attempts to transform their hearts and minds towards the Hollywood progressive agenda.
From the inaugural episode until now, ‘Archer’ has been about growth, but growth delivered via punctuated equilibrium, more or less.
In the false authority hall of fame, celebrities are at the top of the list. Why do we pay them any mind?
Brad Pitt’s new ‘War Machine,’ out on Netflix in May, is part of a remarkable shift in star power towards television over the past 30 years.
In no way should church be anything like a political television harangue, but for many Americans it can be a fair comparison.
What are Americans to make of a program that claims to showcase ‘fascinating faith-based groups’ and instead offers cannibals and delusional charlatans?
Sometimes monster movies aren’t really about the CGI monsters; they’re about the monsters creating fear in our own lives.
To understand liberals’ sudden admiration for Alexander Hamilton, it helps to consider what they think of the other Founding Fathers.
The boy Kubo is grieving—not in psychological stages, but in song, threnody. Kubo must undertake a spiritual journey, risking his sanity to learn how to live like a human being and poet.
When you face Death, a vague idea isn’t going to save you. Nor is the agnostic weakness of saying you just don’t know.
The show’s dark humor and violence evoke a bedtime story told by your strange, Tim-Burton-loving uncle.
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