The artist didn’t break any laws by copying a sculptor’s work. But he did deprive us of an amazing story about that woman’s creativity and imagination.
Except for a few hushed conversations in the bathroom the day after the election, politics stays outside the DC museum where I volunteer. That’s where it belongs, on Pennsylvania Avenue.
A recent controversy over cultural insensitivity at the Whitney Museum in New York betrays the Left’s basic incapacity to process conflict and confusion over the rule of law.
Harvard’s James Simpson and likeminded scholars have selectively wielded their theoretical chainsaws to disfigure the humanities into hideous totems of ideology and politics.
A culture war is not a street fight. Axing the endowments scores points but still leaves the arts captive to academia and its maze of orthodoxies.
‘Fearless Girl’ is an unintentional representation of contemporary feminism in general: loud but empty messages about female ’empowerment.’
In giving a stranger the power to pick out your clothing and create your style, are you not giving away the keys to your identity? For me, the answer is yes.
The people screaming about PBS, the NEA, and the NEH are the same people who helped tear down the arts in favor of the ‘counterculture.’
Are creators entitled to the fruits of their hard work, imagination, and creativity? The cultural left for which Richard Prince is the poster boy says no.
Currently the way to succeed as an arts organization is not to create a product that attracts new audiences, but to create a product that pleases those who dole out the free cash.
Cutting funding to antiquated, state-run boondoggles like the NEA and PBS is reasonable budgeting and healthy for both free speech and art.
This gives us the chance to look at some beautiful objects, delve into history, and reflect on why the martyrdom of a first-century Christian is still relevant almost 2,000 years later.
If you’re surprised how we ended up in the philosophical rabbit hole we live in today, you haven’t been paying attention to the licentious parade of narcissistic art for the past 60 years.
At once colorful and stark, ‘Nocturnal Animals’ is an interesting experiential, artistic film—one that will inspire thought, even if it doesn’t delight.
Let’s consider three works by three Old Master painters that depict three important moments in the story of Christ’s birth, and just so happen to feature some tiny text.
Fidel Castro’s defunct Escuelas Nacionales de Arte, tuition-free schools for the arts, are emblematic of his failure.
The contradiction between Superman’s words and actions in ‘All-Star Superman’ invites readers to consider the tension between relativism and protecting a community’s safety and happiness.
Ancient art elevates a woman’s body as something worth years of effort to pursue, while pornified bodies commodify human beings as pixels to callously flip through and discard.
Twenty-one-year-old digital colorizer Marina Amaral can show you Abraham Lincoln as if his photo were taken yesterday.
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