Syfy’s ‘The Magicians’ is an art project in the form of a television show, something we haven’t seen since ‘Twin Peaks.’
In practice, the much-hyped changes Conan made to his show actually feel more like tweaks than disruptions. But they work well enough for him.
Netflix’s new show ‘Sex Education’ is a thinly veiled attempt to force a young audience into swallowing a dangerous liberal pill.
The pilot episode of ‘The Sopranos’ debuted 20 years ago on HBO, and signaled a major turning point in television drama.
To watch ‘Lindsay Lohan’s Beach Club’ is to be disappointed. At least if your expectations were unreasonably high, as mine were.
The series’ first original villain—the Sewer King—is a dud who fails to capitalize on obvious themes of the Batman mythos.
The introduction of Poison Ivy reveals more about Bruce Wayne – and the ambitions of the series.
Mark Hamill’s Joker gets his first memorable line: ‘You killed Captain Clown!’
‘It’s not about the pasta’ was reality television’s greatest gift in 2018: petty, nonsensical, booze-fueled inanity— but with a kernel of relatability.
Done right, opening credits orient us, endearing viewers to characters and settings. ‘Laverne & Shirley’ understood that.
It is the only DS9 episode on the bottom ten for all Star Trek shows, a testament to the superiority of the series compared with others in the Star Trek universe.
In season two, ‘The Marvelous Mrs. Maisel’ improves markedly on its first ten-episode run. But the show’s future still looks bleak.
The vengeful Scarecrow attacks Batman’s psyche, revealing daddy issues.
‘The Clinton Affair’ is a compelling and worthwhile trip down memory lane.
After throwing the audience a curve with Man-Bat in the series pilot, the creative team turns to the best-known member of Batman’s rogues gallery.
In comedy, self-deprecation is a key byproduct of self-awareness. But there is virtually no serious self-deprecation in partisan politics, because self-deprecation cedes points to your opponent.
Lessons from the life of the show’s most compelling character apply to any man who wrestles with his vices and virtues.
The cartoon’s drama, dry wit and detective stories played as well with adults on Sunday night as kids on Saturday morning.
In the series finale, a titanic battle leads humans and Cylons to their fates. Can their cycle can be broken?
Starbuck’s secret is partially revealed, Boomer abducts Hera, and Adama faces Galactica’s final days.
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