In our post-therapeutic culture, we’ve become obsessed with evil, decay, and corruption. That’s why we love ‘Game of Thrones.’
They’re empowered by motherhood, and achieve victory via their own merit. They’re the compelling heroines that feminism should offer, but doesn’t.
A Marie Claire writer insists ‘Sex and the City’ character Charlotte York is an ‘anti-feminist.’ This just goes to show how narrow minded and dour feminism can be.
In nearly every season of ‘The Bachelor’ there’s a villain — a contestant who is depicted as crazy, unstable, or just really mean. Let’s rank them from bad to worse.
For three or four seasons, ‘Burn Notice’ succeeded by offering an interesting, serialized story that never required your full attention. It was great escapism.
In ‘The Ranch,’ Ashton Kutcher’s character steps up to the plate when he finds out that his ex-girlfriend is pregnant, and helps her to chose life.
Netflix’s new wrestling sisterhood show, ‘GLOW,’ includes a completely unrealistic episode portraying abortion.
The Underwood machine is driven by Machiavellian political theory. That makes the show less eery in the age of Trump, but it’s no less powerful.
Both ‘Gunsmoke’ And ‘House Of Cards’ encapsulate an American ethos, but one humanely and the other in a brutal, disturbing way.
Here’s what should bother Jerry Seinfeld far more than the Kardashian family’s bizarre meteoric rise and million-dollar payday.
Despite real humor, its heavy-handed nature holds ‘Trial and Error’ back. NBC’s true crime mockumentary consistently goes for the predictable, ‘network sitcom’ joke.
As with all simple infatuations, my love for Frank Underwood has smoldered, doused by the ennui that marks season five. Kevin Spacey has no room to further develop the character.
We will miss T.J. Miller ‘s character, Erlich Bachman, when he leaves HBO’s ‘Silicon Valley.’
Sweetness and self-awareness is missing from the film, depriving the audience of what works best for the stars, the ‘Baywatch’ franchise, and an update of this kind.
Leah Remini and Mike Rinder want this second (and previously unplanned) season of their A&E show to do something more than just give Scientology a black eye.
What if it already has happened here, and we didn’t notice because we focused on ‘The Handmaid’s Tale’s’ religious hang-ups rather than its comments on the intersection of politics and sexuality?
‘Game of Thrones’ rarely focuses on aspects of the human condition unrelated to power struggles. It is a prolonged depiction of the singular, relentless pursuit of power.
After returning to New York, Dev grapples with his love for Francesca, the Italian granddaughter of the pasta-making nonna with whom he spent a year.
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