‘Dating Around’ marks Netflix’s foray into reality television, but the show also represents something you could probably call Prestige Reality TV.
Tina Fey, who created ‘Kimmy Schmidt,’ enjoys mining partisan politics for laughs, and she’s capable of doing it without using comedy as a thin pretense for DNC propaganda. Hers is a rare approach.
‘Russian Doll’ is a great watch for those long nights where you want to indulge the fantasy of getting a whole-life do-over.
The Joker turns assassin in an episode about fathers and sons — real, imagined, and lost.
If what we see on screen is an accurate representation of Midge’s life, yes, she’s a terrible mother. But she’s not only a terrible mother, she’s kind of a terrible person.
There’s no need to wait around for the rose ceremony drama anymore. This season’s ‘Bachelor’ is sending girls home left and right, and it’s refreshing.
On Feb. 5, 2004, millions watched Donald Trump on ‘The Apprentice.’ On Feb. 5, 2019, millions more watched Trump deliver the State of the Union Address.
In a flawed episode, Batman does not arrive until the final act. The wait is worth it, even if parts of the plot are hackneyed and overdone.
Officer Renee Montoya, a character created for the series, gets her true introduction in an episode without a super-villain.
Originally, the Ferengi were conceived as a new major enemy for the Federation. DS9 develops the Ferengi into so much more.
Syfy’s ‘The Magicians’ is an art project in the form of a television show, something we haven’t seen since ‘Twin Peaks.’
In practice, the much-hyped changes Conan made to his show actually feel more like tweaks than disruptions. But they work well enough for him.
Netflix’s new show ‘Sex Education’ is a thinly veiled attempt to force a young audience into swallowing a dangerous liberal pill.
The pilot episode of ‘The Sopranos’ debuted 20 years ago on HBO, and signaled a major turning point in television drama.
To watch ‘Lindsay Lohan’s Beach Club’ is to be disappointed. At least if your expectations were unreasonably high, as mine were.
The series’ first original villain—the Sewer King—is a dud who fails to capitalize on obvious themes of the Batman mythos.
The introduction of Poison Ivy reveals more about Bruce Wayne – and the ambitions of the series.
Mark Hamill’s Joker gets his first memorable line: ‘You killed Captain Clown!’
‘It’s not about the pasta’ was reality television’s greatest gift in 2018: petty, nonsensical, booze-fueled inanity— but with a kernel of relatability.
Done right, opening credits orient us, endearing viewers to characters and settings. ‘Laverne & Shirley’ understood that.
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