Sophia Marlowe’s passion for building her business and brand are when the Netflix show is at its best and, despite contrary reviews, the most feminist.
The rivalry between Hollywood screen icons Bette Davis and Joan Crawford as depicted in FX’s ‘Feud: Bette and Joan’ puts today’s cat fights to shame.
Many fans are eager to re-explore their favorite characters. Others are dismayed by footage from Netflix’s new series that depicts a startling aberration from the spirit of the original story.
Lena Dunham is obsessed with ‘normalizing’ abortion—which makes it especially surprising that her character, Hannah, chooses life for her unborn baby.
‘My Little Pony: Friendship is Magic’ is a show miles better than it has any right to be.
Joss Whedon’s cult hit has inspired numerous spinoffs. But none parallel the original, which changed the way many Americans look at television.
It is one of the core beliefs of western culture that a man’s worth is measured, not by what happens to him, but by how well he faces it. Milo Murphy embodies this idea.
The comedian is back, with a Netflix special that offers belly laughs and controversial insights. If only we had less Samantha Bee and more of this.
What happens when a community is obsessed with self-actualization at any cost? This new HBO series shows us the worst of progressive utopia.
‘Homeland’ has taken such a sudden turn toward political preaching and progressive tut-tutting that its story and characters barely resemble those of the previous five seasons.
From the inaugural episode until now, ‘Archer’ has been about growth, but growth delivered via punctuated equilibrium, more or less.
‘Red Eye with Tom Shillue’ ends today. It was the perfect show because it approached pop culture, liberals, and politics as things that should be mocked.
Don’t fret. I’ve compiled a list of the must-see ‘Rick and Morty’ episodes to watch before the new season drops.
Brad Pitt’s new ‘War Machine,’ out on Netflix in May, is part of a remarkable shift in star power towards television over the past 30 years.
Rather than on superpowers, FX’s ‘Legion’ focuses much more on treating (and supposedly saving) a broken man dealing with his demons, figurative and otherwise.
‘The Most Powerful Man in the World’ offers little expertise, choosing instead to cherrypick interviews and history to prove a political point.
When Mr. Francatelli asks Miss Skerrett to marry him, she demurs, then declines. It would be one thing if she didn’t like him, but she clearly does.
‘This is as funny as an autopsy. . . As graphic and as funny as I would imagine a public beheading to be.’
Is Nick Viall determined to die alone?
Showtime’s ‘Homeland’ has gone from a natural concern for protecting Americans’ safety to making apologies for America’s enemies.
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