The essence of James Bond is not identity politics, but shooting a villain with a spear gun, making a joke, and getting the girl.
The extra ‘K’ that makes the movie’s title look ridiculous is emblematic of what’s wrong with the film as a whole: it ends up being an unnecessary and distracting detraction.
‘Castle Rock’ is essential viewing for Stephen King fans, but there’s probably not enough horror to draw in most other genre aficionados.
Just like the television show, ‘Teen Titans Go! To The Movies’ delivers a good time for people of all ages.
The critics of this Denzel Washington film have ignored its underlying morality that others of this type lack.
This fall, ‘Superman’ actor Dean Cain portrays the Philadelphia investigator who brought serial killer Dr. Kermit Gosnell to justice.
Take your friends, family to see this delightful sequel.
Legend, myth, storytelling, preservation of memory — these ideas constitute the thematic heart of ‘The Sandlot.’ For its 25th anniversary, the film returns to theaters July 22 and 24.
Batman is bigger than any one film or comic. He’s a myth that looms large over our culture, casting a wide and long shadow.
It was a perfect comic book film, a brilliant crime movie, a stellar action flick, an amazing superhero story, a nail-biting cop drama, an intense thriller, a political commentary, a tale of terrorism, and more.
Kayla is being raised by her single dad, who adores her with every fiber of his being, but just can’t figure out how to make her see what he sees in her.
Not many actors and actresses running around these days can generate wide-ranging interest by their mere involvement. But The Rock almost always does.
The film worked well as a thriller but it’s clearly inferior to the original. It exposes the Gordian knot at the heart of our border troubles, but doesn’t cut it.
Of all of Marvel’s early ’60s characters, Ant-Man, alongside Iron Man, was the most politicized. Both were sturdy anti-Communists.
The ‘Purge’ films invert political reality by making religious conservatives the ones in favor of lax crime laws that make the streets more dangerous.
Unfocused, charming, a little sappy, a tad more menacing than one may remember, ‘Yellow Submarine’ is silly and innocent, without being insultingly amateurish.
In three weeks an artsy commemorative book debuts marking the film’s fiftieth anniversary: ‘This Is No Dream: Making Rosemary’s Baby,’ by James Munn and Bob Willoughby.
It’s supposed to be this critique of gun culture, but throughout the entire series the bad guys with guns are always stopped by good guys with guns.
The Fourth of July shouldn’t be about celebrating warfare or revolution, it should be about celebrating exceptional American freedom.
Sequels usually fall the flattest when they try to recapture the original quality. That will never happen here, because the original is so special.
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