Matt Damon’s new film about The Great Wall and zombie-dragons is the perfect movie. And by “perfect,” I mean one that will make lots of money.
When you face Death, a vague idea isn’t going to save you. Nor is the agnostic weakness of saying you just don’t know.
The film hints that the Japanese authorities learned that merely killing priests would not stamp out the faith. To accomplish that goal they needed something more.
This Batman is the Dark Knight living in the Caped Crusader’s Gotham City, and ‘The Lego Batman Movie’ buries every film in Warner Brothers’ ‘DC Extended Universe.’
If you are skeptical about seeing the Dark Knight storm the screen in Lego form, never fear—this ‘Batman’ is one of the character’s best outings yet.
The Oscars at their best are about one simple thing: Beautifying what is worth beautifying in American movies. This year, that’s Mel Gibson’s ‘Hacksaw Ridge.’
The history of the McDonald’s franchise proffers viewers a fascinating look at capitalism and community, greed and growth.
If this movie is what its title implies, then Luke might just as well have gotten a job selling power converters at Tosche Station.
The feel-good religion of the Light Side apparently consists in little more than muddleheaded platitudes about hope and change.
M. Night Shyamalan’s films are often horrific, but for all the wrong reasons. With ‘Split,’ he offers audience something different and interesting.
‘La La Land’ is a love letter to classic Hollywood, a film for film lovers, with nostalgic references to the classic films of yesteryear scattered throughout.
This film about a young black gay man largely transcends politics, offering instead a poignant story about meaning and belonging.
If you’re not planning to show the audience something fresh, the least you can do is film and arrange your clichés with excellence. ‘Sleepless’ could have been named ‘Sleepwalking.’
To behold a Hollywood major conceding defeat in this manner is indeed a rarity. But ‘Monster Trucks’ opens this weekend, and Paramount is already expecting to lose $115 million.
Complex yet reverent, ‘Silence’ explores the meanings and dilemmas of the Christian faith, and decisively sets a new benchmark for religious films.
‘Passengers’ tells us a lot about progressive assumptions regarding society, individualism, and what it means to be human.
It’s hard to believe how heroic Desmond Doss was. So hard, ‘Hacksaw Ridge’ director Mel Gibson and producers left some of it out.
This film about interracial romance presents a deeply conservative vision of a good human life.
What could have been a compelling story instead offers one-dimensional characters, terrible dialogue, and contradictory plot points.
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