NBC correspondent Katy Tur managed to write an enjoyable and honest campaign memoir, ‘Unbelievable: My Front-Row Seat to the Craziest Campaign in American History,’ about a campaign most liberal reporters are trying to forget.
Frank Gehry’s hideous design has finally cleared the last official review-board hurdle. A groundbreaking ceremony is set for November 2. Only one man can end this travesty.
Before we raze the memory of Christopher Columbus, we might wish to know why many generations considered him a great man despite his sins.
In 2014, Tom Petty was responsible for one out of every 40 rock songs heard on the radio. That likely has not changed much.
With ‘The Strange Death of Europe,’ Douglas Murray makes worthy entry in the burgeoning genre of books on Europe’s immigration challenges and cultural decline. But like other authors before him, he offers no cure for what’s ailing the continent.
‘Juggalos’ are fans of the white rap duo Insane Clown Posse. Their march on Washington has greater implications for religion and social class in America than many realize.
Despite pervasive emphasis on contextualizing, the responses gives no hint of substantial historical knowledge beyond the received tropes of popular culture and press.
Free verse is a symptom of a disease that afflicts the whole body of modern art — it’s the slow-creeping tingling in the fingers and toes that indicates the tumor growing in the brain.
With ‘Star Trek: Discovery,’ the franchise has a chance to return to its TV roots and the high-concept sci-fi story-telling that made it a cult favorite.
There is a red-pill way to view ‘Wicked,’ and once you start viewing it this way, you can’t un-see it.
‘What Happened,’ Hillary Clinton’s campaign memoir, is a tone-deaf litany of predictable excuses for her 2016 loss. But is it an attempt to set herself up for another run for public office?
The parable of the prodigal son is ultimately about eternal salvation, not American politics. But it also has something to say about human nature, justice, and mercy.
Taylor Swift’s atonal chanting about revenge and blaming others for what we do perfectly fits our current politics and culture.
‘A Legacy of Spies,’ the new novel by John Le Carré, is an anti-climactic mess eclipsed by the espionage master’s inability to grapple with contemporary political realities.
Jack Kerouac would have hated me, because I took his work seriously rather than as cautionary tales. So did the entire Beat generation.
Columbia professor Mark Lilla’s book, ‘The Once and Future Liberal,’ rightly scolds the left for their embrace of identity politics, but is ultimately more concerned with Democrats winning elections than healing a divided nation.
Amid their male privilege, these Hollywood directors apparently forgot that a sizeable segment of the population has gone barking mad.
Jeremiah Moss’ new book, ‘Vanishing New York,’ laments the transformation of New York into a tourist theme park—but despite some righteous complaints, not everything about NYC’s gritty past is worth celebrating.
When everything is virtue signaling, nothing is.
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