As Oscar buzz builds around ‘Three Billboards’ and I wait for it to open in wide release, I’ve enjoyed revisiting the classic that is Martin McDonagh’s original foray into feature-length film.
The New Yorker cover story underplays the terrifying vision of the future it prophesies: a future with economic affluence, manufacturing efficiency, and few to no jobs for low-skilled workers.
As you’re browsing for something to watch on a chilly evening, do yourself a favor and choose to watch the Emmy-winning ‘Over the Garden Wall.’
A sex toy protest out on the cold, wet sidewalk punctuated the right-leaning students inside the warm lecture hall hearing their ideas and intuitions confirmed.
The show ‘Invisibilia’ makes the case that we are more responsible for our emotions and responses than we typically care to believe.
Mark O’Connell’s interactions with transhumanists show that modern man is not prepared to argue against transhumanism. He must either accept it or find a theological alternative.
The television show proclaims the insignificance of all our lives, reveling in existential pessimism. Why do viewers and critics love it so much?
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